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Mantegna - Christ au jardin des Oliviers
Mantegna - Chambre des époux
(FR)
(EN)
Like other artists of the time, Mantegna experimented with perspective, e.g., by lowering the horizon in order to create a sense of greater monumentality. His flinty, metallic landscapes and somewhat stony figures give evidence of a fundamentally sculptural approach to painting.
L'oculus en
trompe-l'œil de la Chambre des époux - The di sotto in sù ceiling
panel of the Camera picta
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